All the girl's effort tended for the time to a single aim—that of taking the thing with outward detachment, speaking of it as having happened to Owen and to his mother and not in any degree to herself. Something at least of this was in the encouraging way she said: "Yesterday morning?" Fleda smiled down at her companion, who, cloaked and perceptibly bowed, leaned on her heavily and gave her an odd, unwonted sense of age and cunning. She took refuge in an evasion. "He couldn't tell me anything that I didn't know pretty well already."!

"To succeed, it must be all me!" "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask."

From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?" Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid. So the young man, following her attentively, appeared equally to feel. "So far as that goes," he promptly declared, "she has at last tired Mona out." He uttered the words with a strange approach to hilarity.